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Carpetdiem is a generative reinterpretation of Middle Eastern carpet design. Mammadov’s Algorithms learn patterning from the ancient tradition of carpetmaking while the tradition gains new patterns through AI designed templates. Here, artisans trained in traditional craft weave what the algorithm has generated, and the algorithm extends what weavers have practiced over millennia.
Analog vs Digital; Tradition vs Technology; Human vs Machine. Carpetdiem makes evident that these binaries were never as stable as they first appeared. Islamic geometric design has, for more than a thousand years, operated on principles we now call algorithmic — recursive tiling, rule-governed symmetry, modular pattern generation extending toward infinity. The artisan executing these designs is not the opposite of computation; she is its earliest practitioner, working in a medium that has long anticipated the formal structures of contemporary AI. That this proposal emerges from Islamic digital art rather than from Silicon Valley is not incidental. The tradition it draws from has always treated pattern as both mathematics and devotion, and the work reflects that double inheritance — a vision of the digital that is neither secular nor extractive, and a vision of craft that is neither nostalgic nor preserved against time.
Artist
Orkhan Mammadov
Orkhan Mammadov (b. 1990, Ganja, Azerbaijan) is an internationally recognized new media artist whose practice explores the intersections of art, science, and technology. Renowned for his pioneering work with artificial intelligence and generative art, Mammadov’s installations and data-driven projects transform the collective memory into immersive aesthetic experiences.
